Ashawnta Jackson is a reader, writer, and record collector living in New York. She has written for NPR Music, Bandcamp, Artsy, Atlas Obscura, and GRAMMY.com, among others. You can read more of her work at heyjackson.net.
Free to Be... You and Me was meant to help rear a generation free of sexist stereotypes. Fifty years on, some of its well-intentioned messages are worn around the edges.
Florestine Perrault Collins escaped the bounds of prescribed gender roles and racial segregation to run a successful photography studio in 1920s New Orleans.
Portia K. Maultsby documents the course of African American music, tracing the histories of the sounds alongside the histories of the people who made them.
The sport of Newcomb ball was created by Clara Gregory Baer two years before volleyball. Now forgotten, it's a good bet it lives on in the gyms and beach courts of today.
The circus provided opportunities to some in the late 18th and early 19th centuries, but could not avoid the racism and misogynoir of the "outside world."
In the Jim Crow era, Black film theaters were left out of the "first-run" distribution channels. Theater owners used creativity to attract their audiences.