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Ashawnta Jackson

Ashawnta Jackson

Ashawnta Jackson is a reader, writer, and record collector living in New York. She has written for NPR Music, Bandcamp, Artsy, Atlas Obscura, and GRAMMY.com, among others. You can read more of her work at heyjackson.net.

Annie Londonderry, 1896

The Hunt for the Massachusetts “Wild Man”

In a tale with as many false identities as supposed crimes, investigative reporter Annie “Londonderry” Kopchovsky gets her man (maybe).
Earl Stewart (L) and Michael Veal (R)

The Scholars Charting Black Music’s Timeline: Earl Stewart and Michael Veal

Earl Stewart and Michael Veal explore African American music from the Civil War and the evolving sounds of the Black Atlantic.
An ad for a Riot Grrrl Convention in 1992

Start a Riot (and a Zine), Grrrl

With roots in the small press and fanzine communities, the girl zine movement relied on pen, paper, and copy machines to fight structural oppression.
From the album cover of Free to Be... You and Me

Don’t Dress Your Whale in Galoshes

Free to Be... You and Me was meant to help rear a generation free of sexist stereotypes. Fifty years on, some of its well-intentioned messages are worn around the edges.
Golfers in Minnesota in the 1940s

Fairness on the Fairway: Public Golf Courses and Civil Rights

Organized movements to bring racial equality to the golf course have been part of the sport since the early 1900s.

Liberation on the Dance Floor

Motown’s foray into gay liberation music may have been short-lived, but it made an outsized impact on queer culture.
Florestine Perrault Collins

Challenging Race and Gender Roles, One Photo at a Time

Florestine Perrault Collins escaped the bounds of prescribed gender roles and racial segregation to run a successful photography studio in 1920s New Orleans.
Chuck Berry does the splits as he plays his Gibson hollowbody electric guitar in circa 1968.

Race, Rock, and Breaking Barriers

The rock music industry brought more than a little racism to the radio, but a few artists pushed beyond the boundaries imposed by white audiences.
Producer John Dolphin's "Dolphin's Of Hollywood" record store on Central Avenue, 1952

The Los Angeles Renaissance

Black composers Bruce Forsythe and Claudius Wilson transcended barriers to create concert and classical music during this West Coast art movement.
Althea Gibson of the United States plays during Wimbledon in 1956

Serving Goodwill: US Women’s Tennis and Cold War Diplomacy

By dispatching women tennis players on world tours, the US Department of State hoped to garner approval for the American way of life.
Photograph of the Tomato Girls Club in Jackson, Miss. in 1914

Like Tomatoes? Join the Club

Organizers of girls’ tomato clubs hoped that members would learn not only how to grow tomatoes, but how to build a better future for themselves.
Blues musician B.B. King stands on the back of a truck with other African-American men to raise money for radio station WDIA's Wheelin' On Beale March of Dimes charity for pregnancy and baby health in circa 1955 in Memphis, Tennessee.

How Black Radio Changed the Dial

Black-appeal stations were instrumental in propelling R&B into the mainstream while broadcasting news of the ever-growing civil rights movement.
A sprint at a U.S. Naval Academy field day, between 1890 and 1901

Professional Running: the Nineteenth Century’s Dirtiest Sport

American racers earned a reputation for deception, and Cuckoo Collins led the pack with an outsize talent for cheating.
Clockwise: Sun Ra, Betty Davis, Janelle Monáe, Erykah Badu, and Jimi Hendrix

The Scholars Who Charted Black Music’s Timeline: Tony Bolden

Tony Bolden explores the spiritual principles that inform the foundation of Afrofuturist music.
A Video Player interface with a tv rating in its center

Film and TV Ratings in the Streaming Age

We've got Netflix, AppleTV, YouTube, and Prime literally in the palms of our hands. Do conventional movie and television rating systems matter to us?
Detail from a poster for "Sapphire Show" designed by Eileen Nelson

How an Unrealized Art Show Created an Archive of Black Women’s Art

Records from a cancelled exhibition reveal the challenges faced by Black feminist artists and curators in the 1970s.
Portia K. Maultsby, 1981

The Scholars Who Charted Black Music’s Timeline

Portia K. Maultsby documents the course of African American music, tracing the histories of the sounds alongside the histories of the people who made them.
Jackie Ormes

The Groundbreaking Work of Jackie Ormes

The first Black woman to have a regularly published comic strip, Ormes gave form to the political and social concerns of Black Americans.
Newcomb featured in Spalding's Red Cover series of athletic handbooks in 1914

Clara Gregory Baer and the “Lost” Sport of Newcomb Ball

The sport of Newcomb ball was created by Clara Gregory Baer two years before volleyball. Now forgotten, it's a good bet it lives on in the gyms and beach courts of today.
Denée Benton as Peggy Scott on The Gilded Age

Julia C. Collins & the Black Elite of the Gilded Age

HBO's The Gilded Age has done its homework on Black History, creating a character based upon real life wealthy Black women of the time.
Pancho Barnes and the Powder Puff Derby at Long Beach, California circa 1930-1931

1929 Women’s Air Derby Changed Views On Women Pilots

Women pilots were seen as oddities, opportunists, and "too scatterbrained" to fly. The 1929 All-Woman Air Race set out to change that.
A circus poster from 1912

Race and Gender Under the Big Top

The circus provided opportunities to some in the late 18th and early 19th centuries, but could not avoid the racism and misogynoir of the "outside world."
Pixelated books

Are Video Games Like Novels?

Video games as interactive storytelling? Maybe not at first glance, but as Eric Hayot explains, the interplay between game and narrative is real.
The cover of Ebony and Topaz: A Collectanea

The Short but Influential Run of Ebony and Topaz

The 1927 art and literature magazine only ran for a single issue, but “proved an integral component of Harlem Renaissance cultural production."
A promotional image for Moon Over Harlem, 1939

How Film Ads Were Part of the Fight Against Segregation

In the Jim Crow era, Black film theaters were left out of the "first-run" distribution channels. Theater owners used creativity to attract their audiences.