Chunar seen from the Ganges, Uttar Pradesh. Coloured etching by William Hodges, 1785.

William Hodges and the Art of Empire

How a traveling landscape painter helped create a homogeneous vision of the British Empire.
Anida Yoeu Ali, Water Birth, The Red Chador: Genesis I, 2019, Kaiona Beach, Oahu, Hawaii, archival inkjet print. Photo by Masahiro Sugano. Courtesy of the artist.

The Red Chador’s Provocative Public Performance

Anida Yoeu Ali’s Red Chador challenges stereotypes of Muslim identity through performance art in highly visible public settings.
Experimental color reconstructions of the marble statue of a Greek Muse in the Frankfurt Liebieghaus

The Trouble with Authentic Ancient Statues

Scientific analysis has restored the colors of ancient Greek statues. Why does seeing them restored still feel so wrong?
Yarn bombed bicycle on the third street promenade in Santa Monica, presumably by artist OLEK

Knit One, Bomb Two: A Primer on Yarn Bombing

Soft fiber meets hard infrastructure in a global movement that tests the bounds of public art.
The Sylvester T. Everett Residence, architect Charles Frederick Schweinfurth’s first Cleveland commission. The residence was built 1883-1887 and demolished in 1938. It was located at corner of Euclid and East 40th Street.

How America’s Industrial Elite Built Their Own Palaces

Historic photographs capture Cleveland’s Millionaires’ Row, where Gilded Age wealth met revival-style splendor.

Wayne Thiebaud’s Sweet Take on American Art

The beloved American painter rejected attempts to categorize his work as a Pop Art as he experimented with texture, light, and nostalgia.

H. H. Richardson and the Making of an American Romanesque

Historical photographs help trace the emergence of Richardsonian Romanesque and its lasting influence on American architecture.
A selection of images from the Heinz Gaube Lebanese Architectural Photographs Collection, housed at Notre Dame University-Louaize

Documenting a Disappearing Architecture

The Heinz Gaube Lebanese Architectural Photographs Collection, supported by an innovative mapping project, details threatened buildings across Lebanon.
Schröder-Schräder House

Building De Stijl Style

Piet Mondrian, co-founder of De Stijl, argued that the art movement wasn’t ready for architecture. Theo van Doesburg and others believed it was. Who was right?
The Lackawanna Valley by George Inness, 1856

The Art of Deforestation

Landscape paintings show how quickly American forests changed in the early nineteenth century—and the mixed feelings people had about that change.