An exhibition of Damage Control by John Baldessari

Why John Baldessari Burned His Own Art

The artist's "Cremation Project" of 1970 marked a liberation from the tradition of painting and a step toward a more encompassing vision.
via Ernie Wolfe Gallery

How Ghanaian Artists Infused Hollywood with Spirituality

The cinema in 1980s Ghana was DIY. So were the movie posters, now the subject of an exhibition at the Poster House in New York City.
Two Horsemen, Elgin Marbles at the British Museum

Wait, Why Are the Parthenon Marbles in London?

Lord Elgin went beyond his original mandate, amassing a vast store of treasures, one scholar notes.
Pendant in the Form of Neptune and a Sea Monster

The Lumpy Pearls That Enchanted the Medicis

There’s a specific term for these irregular pearls: “baroque,” from the Portuguese barroco.
Andy Warhol, 1971

Andy Warhol from A to B and Back Again

A 1971 interview with poet Gerard Malanga.
"The Vexed Man" by Franz Xaver Messerschmidt at The Getty Center in Los Angeles, California.

The Man Whose Face Got Stuck Like That

No one could have predicted Franz Xaver Messerschmidt’s turn to the bizarre.
Source: https://commons.wikimedia.org/wiki/File:Little_Galleries_-_1906.jpg

Alfred Stieglitz’s Art Journal

"The best one can say of American art criticism is that its CLEVERNESS OFTEN CONCEALS ITS LACK OF PENETRATION," Alfred Stieglitz wrote.
Equestrian statue of Marcus Aurelius in Rome, Italy

Why Are Cities Filled with Metal Men on Horseback?

The original inspiration for the now-ubiquitous equestrian statue, a classical bronze of Emperor Marcus Aurelius, was almost melted down and lost forever.
Serio-Comic War Map For The Year 1877. Fred W. Rose. 1877. Persuasive Maps: PJ Mode Collection

Persuasive Cartography: An Interview with Map Collector PJ Mode

A collection of rare maps explores their power as visual messengers.
the Peacock Room

The Controversial Backstory of London’s Most Lavish Room

James McNeill Whistler created the famous "Peacock Room" for a wealthy patron. But the patron never actually wanted it.