Source: https://www.jstor.org/stable/community.28115632

Share These Victorian Holiday Cards

It's all birds and flowers and kittens in these greeting cards. May they, as one of the cards says, keep winter from your heart.
Mario Montez

How Latin Camp Rocked the New York Underground

Puerto Rican queers produced theater and film that made them mainstays of the New York underground arts movement of the 1950s and ’60s.
A reliquary shrine attributed to Jean de Touyl, ca. 1325-50

What’s in the Box? The Art of Reliquaries

The cult of relics dates back to the second and third centuries, when Christian martyrs were often killed in ways that fragmented the body.
Source: https://www.jstor.org/stable/community.27117878

A Very JSTOR Daily Costume Guide

Get inspired for Halloween with these hand-curated historical images from JSTOR's Open Community Collections!
Photograph: Two people dancing, photographed by David Schwartz, Albright College. Part of Albright College's Nicaragua Revolution: David Schwartz Collection

Source: https://www.jstor.org/stable/community.20472290

Eight Open Collections Perfect for Hispanic Heritage Month

Freely available images and other primary source materials from the JSTOR Open Community Collections and Artstor Public Collections.
Sample of Perkin's Mauve

The Accidental Invention of the Color Mauve

Or, better dyeing through chemistry.

Wood: The Best “New” Building Material?

A 2017 study for an 80-story wooden structure in Chicago was an opportunity to examine the potential for the building material's future.
From Home Suggestions, 1921

How American Consumers Embraced Color

Vivid hues in everyday products became eye-popping reality in the early twentieth century.
Prince performs at the 10th Anniversary Essence Music Festival at the Superdome on July 2, 2004 in New Orleans, Louisiana.

The Philosophy of Posthumous Art

For some creators, death isn’t the end of their career. How should we think about completing and releasing their work afterward?

Five of the Best R. Cobb Drawings in the Underground Press

The artist turned a critical eye toward American society, but he didn't want to be called a political cartoonist.