No one could have predicted Franz Xaver Messerschmidt’s turn to the bizarre.
"The best one can say of American art criticism is that its CLEVERNESS OFTEN CONCEALS ITS LACK OF PENETRATION," Alfred Stieglitz wrote.
The original inspiration for the now-ubiquitous equestrian statue, a classical bronze of Emperor Marcus Aurelius, was almost melted down and lost forever.
A collection of rare maps explores their power as visual messengers.
James McNeill Whistler created the famous "Peacock Room" for a wealthy patron. But the patron never actually wanted it.
Trained as a printmaker, this artist helped change American tattooing from a fringe behavior into an art form people use to express themselves.
Posters were originally a method of advertising and promotion, but in the 1960s, a new crop of psychedelic signs became emblematic of the counterculture.
Napoleon didn't like sitting for portraits, and yet artists and mass market prints helped cement his legendary status.
The field of neuroaesthetics uses neuroscience to understand how art affects our brains, both when we're making it and when we're viewing it.
How the American Art-Union brought fine art to the people, via a subscription service, in the 1840s.