Dummy boards, British or Dutch, circa 1690

Dummy Boards: the Fun Figures of the 1600s

These life-sized painted figures, popular in Europe and colonial America in the seventeenth and early eighteenth century, were designed to amuse and confuse.
Saint John the Baptist in Prison Visited by Salome by Guercino

Taking Liberties With Biblical Stories

In the Christian New Testament, Saint John the Baptist and Salome never meet. Why, then, does she appear at the bars of his cell in Guercino’s moody painting?

How to Interpret the Meaning of an Image

This week, we practice using our skills of visual analysis and learn how to "read" deliberately constructed images.
Lee Krasner: Living Colour exhibition at Barbican Art Gallery on May 29, 2019 in London, England.

Feminist Art History: An Introductory Reading List

Beginning with texts written in the 1970s, this reading list shows how the major questions, critiques, and debates developed in the field of feminist art history.
Zaha Hadid, 2013

The Evolution of Zaha Hadid, Architect

An unconventional architect who started her career as an outsider, Hadid became a leading figure in architecture and design in the twenty-first century.

Principles of Composition in Art and Design

An artist combines repetition, balance, proportion, movement, and other design elements to form the whole of a visual composition.
Part of the series La Città Nuova, 1914, by Antonio Sant'Elia

Exploring the Avant-Garde Architectural Manifesto

More than a century later, the architectural manifesto continues to hold our attention, emphasizing a charged moment when society was breaking with the past.
A detail from Ophelia by John Everett Millais, c. 1851

Elizabeth Siddal, the Real-Life “Ophelia”

A working-class woman with artistic aspirations of her own, Siddal nearly died of pneumonia after posing for John Everett Millais’s iconic painting.
A jet brooch with a vulcanite ring

Victorians Mourned with Vulcanized Rubber Jewelry

Nineteenth-century Anglo-American mourning rituals called for a period of sentimental sadness, but they also demanded an investment in clothing and jewelry.
From a poster by Henry Van de Velde for a food supplement, 1898

Art Nouveau: Art of Darkness

First named such in Belgium, Art Nouveau was intimately tied up with that country’s brutal rule of the Congo.