The National Museum of Women in the Arts exhibit “Women House” pays tribute to the foundational 1972 project of Judy Chicago and Miriam Schapiro’s “Womanhouse.”
Zines haven't completely disappeared in the internet age, but the photocopier-powered DIY publishing phenomenon has certainly entered history by now.
The "Red Rose Girls"—Violet Oakley, Jessie Wilcox Smith, and Elizabeth Shippen Green—met at the Pennsylvania Academy of Fine Arts in the 1880s.
The landscape painter Thomas Cole celebrated the American landscape, but also expressed doubts about the limits of civilization.
Walking as an art has a deep history. By guiding participants, or their own bodies, on walks, artists encourage us to see the extraordinary in the mundane.
In the late 1890s, Bertha Corbett set up her own illustration studio in Minneapolis. Her simple drawing of children in sunbonnets became her ticket to success.
In The Miscellany of Iskandar Sultan, sections of text stack on top of one another, interlaced like fretwork. Bursts of flowers and tangles of vines fill the empty spaces.
Design can facilitate the worst of human instincts, including forcing animals into servitude and violence. Cricket cages tell stories about how people have treated the insects throughout time.
According to one historian, the year 1900 was “the zenith of glove-wearing,” when any self-respecting Victorian (British or American) wouldn’t be caught dead without covered hands.
Between 1996 and 2003, a folklorist studied the connection between handlooms (technology), sari makers (producers), and sari wearers (consumers) in the ancient city of Banaras.