Were Charlie Chaplin’s Tramp films also subtle critiques of the social inequities of American capitalism?
On the eve of a new Twin Peaks series, it's instructive to return to early scholarly attempts to make sense of the show.
The legacy of Jean-Paul Gaultier.
Mork, from Mork and Mindy, was "subversive with an anarchistic strain of defiance for convention" according to a scholarly analysis.
The awesome destructive power of the beast is widely understood to be a metaphor for nuclear weapons. Is this too facile an idea?