From the cover of Unstaged Grief: Musicals and Mourning in Midcentury America by Jake Johnson.

The Hidden Grief of American Musicals

Musicology professor Jake Johnson argues that beneath the bright songs and happy endings of midcentury musicals lay the grief and anxieties of postwar America.
An abstract black and white and yellow illustration

Why Does Music in Science Fiction Sound Like That?

Imagining the sound of other worlds has a long past—and persistent creative limits.

Malibu in Matchbooks: Clues to a Lost Coast

A collection of matchbooks from Southern California maps a vanished mid-century commercial corridor, long displaced by fire and time.
Harpo Marx, ca. 1935

Why Lacan Loved Harpo Marx

A surprising encounter between high theory and Hollywood farce reshapes how we think about laughter and desire.
Bjorn Andresen plays Tadzio in a scene from the film 'Death In Venice', 1971.

In the Film Death in Venice, Music Is the Narrator

A haunting score shapes the rise and fall of a writer consumed by infatuation.
A bridge spanning a river collapses beneath the passage of a train, in a scene from the United Artists film 'The General', directed by and starring Buster Keaton, 1927

A History of Fakery on Film

Concerns about AI-made images have deep roots in the earliest years of filmmaking.
Lobby card for 1932 film Freaks

Tod Browning’s Freaks

Freaks asked audiences to think about the exploitative display of human difference while also demonstrating that the sideshow was a locus of community.
Portraits from the Taiwan shishō meikan

Power Posing in the Taiwan Photo Studio

As photography became more popular in occupied Taiwan, the camera subtly captured the shifting boundaries between Japanese colonizers and their Taiwanese subjects.
Ron Jaffe/AMC

Mad Men and Its Obsession with Frenchness

Mad Men’s in-universe fascination with Frenchness was so frequent and important to the plot(s) that it might as well have been a main character.
Members of the Goldwyn Cover Girls in bakery in a scene from the film 'Palmy Days', 1931.

Queer Representation in Pre-Code Hollywood

Before the establishment of the Hollywood Production Code in the 1930s, filmmakers deployed gender and sexuality stereotypes for glamour, humor, and drama alike.