A young Richard Nixon started asking studio executives why they didn't produce anti-Communist movies. The studios quickly responded with anti-Red films.
The recent film Blade Runner 2049 engages with questions raised by Karel Čapek and Isaac Asimov: What do we owe our creations (and what do they owe us)?
On the 75th anniversary of the premier of Casablanca, let's revisit the art and politics of this venerable American classic.
On the surface, "Mommie Dearest" is a portrait of vanity and self-obsession. Dig deeper, and it reflects society’s discomfort with mothers and single women.
What does GAGA: Five Foot Two teach us about pain? The documentary challenges viewers to consider how female pain is often perceived or diminished.
Has anything like the events depicted in The Young Pope ever happened before? The answer, you may be surprised to learn, is yes.
Jesus Christ Superstar is a global phenomenon, and with Transparent’s recent use of and even reboot of the rock opera, its fanbase is sure to keep growing.
Frederick Wiseman's 42nd documentary in 50 years of film-making has just been released. What's he making movies about, anyway?
Ironically, it was movies that helped accustom American viewers to television in the first place, writes Richard Koszarski.
During the Cold War, both the West and East Germany film industries made popular westerns. Yes, westerns. What was that all about?