Why Netflix’s The Witcher Is a Gamble
TV shows based on video games can't capture all the little minutiae that captivate gamers, like the map in the instruction manual.
The Theatrical Magic of The Christmas Angel
The silent film director Georges Melies made a unique and wonderful Christmas film by borrowing the theatrical techniques of French “feeries.”
The War Documentary That Never Was
John Huston's 1945 movie The Battle of San Pietro presents itself as a war documentary, but contains staged scenes. What should we make of it?
How Local TV Made “Bad” Movies a Thing
Weekly shows on local TV stations helped make the ironic viewing of bad movies into a national pastime.
Mary Pickford Knew Not to Take the First Offer
When the 17-year-old actress auditioned for her first film, director D.W. Griffith offered her $5 a day. That wasn’t good enough for Mary.
Selling Toys with the Sailor Moon Transformation Sequence
From her nails painted glossy red to the tiara appearing on her forehead, if you time it out, the transformation in Sailor Moon lasts 40 seconds.
“Meet John Doe” Shows the Darkness of American Democracy
Meet John Doe, Frank Capra’s 1941 drama, carries forward the populist themes of his other movies, only with a much darker premise.
The Allure of the Millionaire Family Drama
The reason we put aside our personal dislike of rich TV families, people we might deeply resent if they were real, is two-fold.
The Cold War Origins of Interactive Cinema
The world’s first interactive cinema system, the Kinoautomat was the brainchild of Radúz Činčera, a Czech cinematographer.