Madame Sul-Te-Wan (left) in Maid of Salem, 1937

Madame Sul-Te-Wan’s Forgotten Brilliant Career

The mysteriously named Madame Sul-Te-Wan was the first black actress to land a Hollywood studio contract.
Francesca Woodman, Untitled photograph, circa 1975-1978. Gelatin silver print.

Photographer Francesca Woodman’s Haunting Dissolutions

Woodman's imagery engaged with architectural and natural landscapes that were themselves in a state of change and decay.
A protest of Gone With the Wind organized by the D.C. chapter of the National Negro Congress

White Hollywood’s Romance with the N-Word

It would have been easy for censors to just ban the racist epithet during the classical era of film. Here's why it didn't happen.
Lloyd Corrigan (left) and José Ferrer in Cyrano de Bergerac

McCarthyism at the Oscars

As José Ferrer was being handed his Oscar—making him the first Latino actor to win—he was being investigated by the House Un-American Activities Committee.
A still from The Lodger, 1927

Hitchcock’s Transition from London to Hollywood

In England, Alfred Hitchcock cultivated a comedic sensibility that shines through in his Hollywood thrillers.
A Moog synthesizer

The Fear That Synthesizers Would Ruin Music

A German musicologist complained in 1954 that they reminded him of "barking hell-hounds."
The Witcher

Why Netflix’s The Witcher Is a Gamble

TV shows based on video games can't capture all the little minutiae that captivate gamers, like the map in the instruction manual.
A scene from The Christmas Angel

The Theatrical Magic of The Christmas Angel

The silent film director Georges Melies made a unique and wonderful Christmas film by borrowing the theatrical techniques of French “feeries.”
from The Battle of San Pietro

The War Documentary That Never Was

John Huston's 1945 movie The Battle of San Pietro presents itself as a war documentary, but contains staged scenes. What should we make of it?
Santa Claus Conquers the Martians

How Local TV Made “Bad” Movies a Thing

Weekly shows on local TV stations helped make the ironic viewing of bad movies into a national pastime.