Scottish singer and actress Lulu listens to a small portable Rhapsody DeLuxe radio

Music Only for a Woman: The Birth of Easy Listening

A 1970s radio format geared towards the "feminine psyche" featured musical rearrangements with softer and gentler styles of the day's hits.
A Vocalion Records advertisement, 1929

“It’s Tight Like That”

A "dirty" song recorded by Georgia Tom and Tampa Red in 1928 launched the "hokum" blues.
African american jazz musician with saxophone in front of old wooden wall.

The Debtor’s Blues: Music and Forced Labor

Debt peonage is often associated with agricultural labor, but in the early twentieth century, Black musicians found themselves trapped in its exploitative cycle.
Mae West c. 1930

Mae West and Camp

A camp diva, a queer icon, and a model of feminism—the memorable Mae West left behind a complicated legacy, on and off the stage.
A large poster for the film Ebony Parade with a blue background and an off-white border. Across the blue background are red musical notes and stars outlined in white. At the top center in red lettering is "20 Great Stars". Printed in the center in small black type is "Astor Pictures presents" followed by "EBONY PARADE" in large yellow letters over a red background. Surrounding the title are color photographic portraits of the stars of the film. At the top left are the faces of Mantan Moreland, Dorothy Dandridge and Ruby Hill, followed by a full portrait of a seated Mabel Lee and in the bottom left corner is an image of the Mills Brothers gathered around two microphones. On the right side are the faces of Cab Calloway, Vanita Smythe, Francine Everett, and Count Basie. At the bottom right is a yellow box bordered in black with red text that reads "featuring / Cab Calloway * Count Basie / His Band His Band / Mills. Bros. * Vanita Smythe / Mantan Moreland * Mable Lee/ Ruby Hill * Francine Everett / Dorothy Dandridge * Pat Flowers / and / Day, Dawn, and Dusk * Jubilaries".

Mills Panoram and Soundies

In the 1940s, these short films set to music transgressed Hollywood’s racial mythology to create space for Black artists to experiment—and have fun.
Johnny Cash at San Quentin State Prison, 1969

Far From Folsom Prison: More to Music Inside

Johnny Cash wasn't the only superstar to play in prisons. Music, initially allowed as worship, came to be seen as a rockin' tool of rehabilitation.
An advertisement for song sharks in Park's Floral Magazine, 1913

We’re Going to Need a Bigger Note

Song sharks have been a problem for aspiring lyricists nearly as long as there’s been a music industry.
Loretta Lynn performs on stage at the Country Music Festival held at Wembley Arena, London in April 1977.

Loretta Lynn: More than a Great Songwriter

A spokeswoman for white, rural, working-class women, Loretta Lynn used music to articulate the fears, dreams, and anger of women living in a patriarchal society.
Bugs Bunny

Bugs Bunny Scholarship Is a Wascally Wesearch Wabbit Hole

In this edition of Research Rabbit Hole, we dig up scholarship about what one academic calls "the signifying rabbit."
Studio portrait of American violinist Maud Powell, c. 1909

Women, Men, and Classical Music

As more women embraced music as a profession, more men became worried that the world of the orchestra was losing its masculinity.