How Photojournalist Margaret Bourke-White Showed Apartheid to Americans
Photojournalist Margaret Bourke-White dedicated her life to photography, including a trip to South Africa during the "dawn of the anti-apartheid era."
Edgar Allan Poe and the Power of a Portrait
Edgar Allan Poe knew that readers would add their visual image of the author to his work to create a personality that informed their reading.
The Rediscovery of Photographer Seydou Keïta
Seydou Keïta captured Bamako life at the turn of independence in Mali. Keïta’s story is mythic and rich, as is that of his art and photography.
Early Photographs of African American Soldiers at The National Museum of African American History and Culture
The Prickitt album in the NMAAC is a rare coincidence of names and photographs of Colored Troops fighting for the Union in the Civil War.
The Role of Children in War, from Lidice to Aleppo
Images of children in wartime, like those from Aleppo, can shock the world. But what happens after that isn't so clear.
Dorothea Lange and the Making of Migrant Mother
Follow the rich history of Dorothea Lange, as she captured the iconic and lasting portrait of Florence Thompson, more famously known as Migrant Mother.
Fast, Cheap, and Totally Popular: Tintypes
Tintypes were an early, accessible, cheap form of photography, just the thing for on-the-go Americans.
Cindy Sherman: Before the Selfie
Before cell phones and selfies, American artist Cindy Sherman influenced the world with her monumental and ongoing series of self-portraiture.
The Lonely City: What Past Artists Tell Us About the Present
What can we learn from Lonely City artists like David Wojnarowicz in our age of hyper-connectivity?
![Pine forrest [sic], Summit Station, Catawissa R.R. Photo by John Moran](https://daily.jstor.org/wp-content/uploads/2016/02/Pine-forrest-sic-Summit-Station-Catawissa-R.R.-600x293.jpeg)
When Photography Wasn’t Art
Today, photography is commonly accepted as a fine art. But through much of the 19th century, it was an art world outcast.