Portia K. Maultsby, 1981

The Scholars Who Charted Black Music’s Timeline

Portia K. Maultsby documents the course of African American music, tracing the histories of the sounds alongside the histories of the people who made them.
Jackie Ormes

The Groundbreaking Work of Jackie Ormes

The first Black woman to have a regularly published comic strip, Ormes gave form to the political and social concerns of Black Americans.
The evolution of a single line from David Walker’s Appeal

Comparing Editions of David Walker’s Abolitionist Appeal

Digitization allows researchers to trace editorial and authorial changes in archival content. Both are central to the study of this famous abolitionist pamphlet.
From the cover of New Women's Times

The Combahee River Collective Statement: Annotated

The Black feminist collective's 1977 statement has been a bedrock document for academics, organizers and theorists for 45 years.
Denée Benton as Peggy Scott on The Gilded Age

Julia C. Collins & the Black Elite of the Gilded Age

HBO's The Gilded Age has done its homework on Black History, creating a character based upon real life wealthy Black women of the time.
A farmer in Louisiana, 1972

The USDA Versus Black Farmers

Current attempts to correct historical discrimination by local and regional offices of the USDA have been met with charges of "reverse discrimination."
Elizabeth Keckley

Elizabeth Keckley’s Memoir Behind the Scenes, or, Thirty Years a Slave and Four in the White House

Keckley’s decision to write about her employers from the viewpoint of a household laborer—she was seamstress to Mary Todd Lincoln—enraged audiences.
Sammy Davis Jr, wearing a Beatles t-shirt, performs on stage at The Talk of The Town in London, England in 1967

Sammy Davis Jr.’s Conversion Mishegoss

Sammy Davis Jr.'s conversion to Judaism in 1960 was met with skepticism, derision, and, yes, jokes by the members of the groups he claimed and embraced.
Dr Martin Luther King Jr (1929 - 1968) waves to the crowd of more than 200,000 people gathered on the Mall after delivering his 'I Have a Dream' speech at the March on Washington for Jobs and Freedom, Washington DC, 28th August 1963.

“I Have a Dream”: Annotated

Martin Luther King, Jr.'s iconic speech, annotated with relevant scholarship on the literary, political, and religious roots of his words.
The cover of Ebony and Topaz: A Collectanea

The Short but Influential Run of Ebony and Topaz

The 1927 art and literature magazine only ran for a single issue, but “proved an integral component of Harlem Renaissance cultural production."