A Moog synthesizer

The Fear That Synthesizers Would Ruin Music

A German musicologist complained in 1954 that they reminded him of "barking hell-hounds."
Employees of the Fleischer Studios picket the New Criterion Theater in New York to protest against the showing of Popeye and other cartoons drawn by striking Fleischer artists, 1937.

The Great Animation Strike

Animation workers took to the streets, carrying signs with bleakly humorous slogans. One read: “I make millions laugh but the real joke is our salaries.”
King Lear, Act I, Scene I by Edwin Austin Abbey

The Rowdy Women of Early Modern Theater

There were, in fact, women in the audiences of Shakespeare’s plays. Some came to watch; others to sell their wares; others to get on stage themselves.
Closeup shot of a group of unrecognizable people holding plants growing out of soil

Five Green Living Resolutions for 2020

We won't solve all of the pressing environmental problems, but we can help mitigate some.
The Witcher

Why Netflix’s The Witcher Is a Gamble

TV shows based on video games can't capture all the little minutiae that captivate gamers, like the map in the instruction manual.
Six book covers

Editors’ Picks: What We’re Reading

The history of Native resistance, the philosophy of love, the medicalization of madness, color in fairy tales, and dinosaur bones.
A group of babies with various emotions

The Science of Baby-Name Trends

What makes a name suddenly pop—and then die? Social scientists and historians have been puzzling over this for decades.
via Ernie Wolfe Gallery

How Ghanaian Artists Infused Hollywood with Spirituality

The cinema in 1980s Ghana was DIY. So were the movie posters, now the subject of an exhibition at the Poster House in New York City.
An illustration by James Gillray, 1807

Vulgarity: An Alternative Language of the People

Was Francis Grose's Classical Dictionary of the Vulgar Tongue the font of all popular culture studies?
A scene from The Christmas Angel

The Theatrical Magic of The Christmas Angel

The silent film director Georges Melies made a unique and wonderful Christmas film by borrowing the theatrical techniques of French “feeries.”