Cover of The Seed

The Campus Underground Press

The 1960s and 70s were a time of activism in the U.S., and therefore a fertile time for campus newspapers and the alternative press.
A still from The Private Life of Cats

The Private Life of a Cat

Maya Deren was a fringe filmmaker who existed far outside the Hollywood machine, but she often borrowed its tactics to promote herself and her movies.
A poster for FluxFest

You, Too, Can Screen an Experimental Film

In the 1960s and '70s, where and how a film was shown was often as important as the work itself.
From left, Desmond Bryan, Caesar Andrews, Delroy Witter and Ken Murray, in the 'Into Reggae' record shop, 3rd October 1975.

How Black-Owned Record Stores Helped Create Community

What was it like for Black American music lovers during the age of segregation to find a place they could call their own?
Johnny Cash poses for a portrait for a publicity shot for his movie debut in "Door-to-Door Maniac" aka "Five Minutes To Live" on Auust 3, 1960 in Los Angeles, California.

The Complications of “Outlaw Country”

Johnny Cash grappled with the many facets of the outlaw archetype in his feature acting debut, Five Minutes to Live.
Gregory Peck looking up at Susan Hayward in a scene from the film 'The Snows Of Kilimanjaro', 1952.

Hollywood’s Version of “The Snows of Kilimanjaro”

Ernest Hemingway didn’t care for it.
Parody English heavy metal band, Spinal Tap

The Mockumentary: A Very Real History

What's the appeal of humor masquerading as seriousness? An entire movie genre stands ready to shed light on that question.
Captain America punching a Nazi

Captain America and Wonder Woman, Anti-Fascist Heroes

Who needs black clothing to fight fascism when red, white, and blue will do quite nicely?
Opening title from Night of the Living Dead

The D-I-Y Origins of Night of the Living Dead

Night of the Living Dead’s production story reads like a means to an end: a rag-tag group of creatives makes a movie on nothing to get noticed.
A film still from The Frog

The Bizarre Marvels of Segundo de Chomón, Father of Spanish Cinema

Segundo de Chomón made “trick films” that experimented with color and temporality, influencing the surrealist work of Luis Buñuel and Salvador Dalí.