What an 1897 exhibition at the British Museum can tell us about how African artworks were perceived in an era of imperialism.
The cinema in 1980s Ghana was DIY. So were the movie posters, now the subject of an exhibition at the Poster House in New York City.
The legacy of Kimpa Vita, a Kongolese Catholic mystic, was felt from the U.S. to Haiti.
Adichie speaks on the meaning of blackness, sexism in Nigeria, and whether the current feminist movement leaves out black women.
The U.S. occupation of Africa has become self-justifying. The U.S. military now must stay in Africa to protect the interests of the U.S. military in Africa.