The multifaceted nature of creativity subverts the assumption it’s a human endeavor exclusively—meaning we might need to radically re-think the definition of “art.”

How does generative artificial intelligence upend conventional understandings of who is and what makes for a true artist?

On the 85th anniversary of the first xerographic print, a collection of punk flyers from Cornell University provides an object lesson on (anti-)art in the age of mechanical reproduction.

More than a century later, the architectural manifesto continues to hold our attention, emphasizing a charged moment when society was breaking with the past.

The field of neuroaesthetics uses neuroscience to understand how art affects our brains, both when we're making it and when we're viewing it.

Major artists like Roy Lichtenstein and Louise Bourgeois have experimented with holography, but it has yet to be taken seriously as an art form.

James Turrell is building an observatory that uses the human eye instead of optical instruments. It may soon be open to the public for the first time.

During WWI, artist and British naval officer Norman Wilkinson came up with an idea so crazy it just may have worked: Dazzle Camouflage.

Acute Art is a kind virtual reality marketed directly to artists. Marina Abramović, Olafur Eliasson, and Jeff Koons have been the first to try it out.

When we have the choice to look, we are bound ethically and politically to what we witness and what we do with what we have seen.