When Gardens Replaced Children
Historian Robin Veder explains that the way we associate female nurturing with gardens goes back to the way ideas about gender and work changed in the mid-nineteenth century.
Who Gets To Speak Publicly About Sex?
Frederick Hollick's case involved not only his controversial sex-positive arguments, but also the question of who should be privy to medical knowledge about sex.
The Forgotten Gender Nonconformists of the Old West
In the Old West, cross-dressing was sometimes a disguise for criminals on the lam. But, one historian argues, in many cases these “cross-dressers” were probably people who we would identify as transgender today.
How 1971’s Womanhouse Shaped Today’s Feminist Art
The National Museum of Women in the Arts exhibit “Women House” pays tribute to the foundational 1972 project of Judy Chicago and Miriam Schapiro’s “Womanhouse.”
Michelle Dean: A Sharp Look at Criticism by Women
Dean on the obstacles women face in being taken seriously as intellectuals, feminist infighting, and the importance of being an outsider.
The Secrets of the X Chromosome
Most people know that the X chromosome is one of the two sex chromosomes. But it does more than just determine if you're born male or female.
What, Prithee, Is a Poetess?
The loss and recovery of a poetic genre shows how the canon of literary history treats women writers the moment they start to gain attention and approval.
Overlooked: How the New York Times Covers Librarians’ Obituaries
In 2004, two researchers analyzed the New York Times obit section between 1977 and 2002 in an attempt to understand how the obituary section portrayed American librarians.
Charles Knowlton, the Father of American Birth Control
Decades after Charles Knowlton died, his book would be credited with the reversal of population growth in England and the popularization of contraception in the United States.
Linda Nochlin on “Why Have There Been No Great Women Artists”
Art historian and critic, Linda Nochlin changed the field of art history, shifting both the field and the viewer’s gaze.