Composition with pigeons. One flock's dynamic movement created a spatial music that was constantly crescendoing and dissipating in a long haunting chord.
For musicologist Edith Borroff, the parlor was egalitarian, open, and joyful—all qualities she equates with the best musical spirit.
Giuseppi Verdi's 1853 opera La Traviata was a shocker when it was first performed. Nineteenth-century audiences didn't expect to watch a sex worker die of tuberculosis at the opera.
Since the late 90s, K-Pop has been one of South Korea's most important cultural exports. Fans have a deeply emotional attachment to the music.
Half of all American homes had a piano or player piano a century ago, but very few do now. Whatever happened to the parlor piano?
With national tragedies now as frequent and predictable as sunrises, no phrase has lost consolatory power more swiftly than “thoughts and prayers.”
Julia Ward Howe wrote her most famous poem, the legendary Civil War song, “Battle Hymn of the Republic,” in a single burst of inspiration 156 years ago.
Crooning, a musical style of the late 1920s and early 1930s, was fraught with gender panic. Where the singers manly enough?
Jane Addams, a leading Victorian-era reformer, believed dance halls were “one of the great pitfalls of the city.”
Twenty years ago, Janet Jackson released her single "Got ‘Til it’s Gone." Today, we celebrate the layered artistry that led to the video's timeless appeal.