Death on stage has a long, gory history. From Ancient Greece to 19th century Paris to The Walking Dead. Why does theatre like death so much?
Amateur ballroom dance enthusiasts value dance not just as a hobby, but as an indelible component of their identity.
How to memorialize a national tragedy in music?
Sidney Robertson Cowell might be starting to get the attention her rich life, first-rate writing, and broad work as an ethnomusicologist deserve.
The man behind the anti-lynching anthem "Strange Fruit" was a white, Jewish, Communist named Abel Meeropol.
Rossini's "lost opera," Aureliano in Palmira is making a comeback with a new production. The opera's history involves antiquity, archeology, and Bugs Bunny.
Bob Dylan's "Like a Rolling Stone" would not have surprised Plato.
The annual Eurovision contest often serves as a stage on which political tensions play out.
If Eddie Redmayne wins an Oscar for The Danish Girl, he will be the most recent in a string of cisgender actors lauded for portraying a transgender figure.
"Here I am again, Scully, up late pursuing this obsession with ESP." "It's a fraud, Mulder."