Source: https://www.jstor.org/stable/community.36531311

Toledo’s Most Singular Pharmacist

The Ella P. Stewart Scrapbooks offer insight into the life and legacy of a pioneering Black woman who broke color barriers and helped birth the fight for civil rights.
Photograph of Mr. Harrison Williams Holding a Camera

Seeking Clues in Cabinet Cards

The poignant images, at once banal and intimate, in the Lynch Family Photographs Collection contain mysteries perhaps only the public can solve.
JSTOR Daily celebrates Black History Month

Celebrating Black History Month

JSTOR Daily editors pick their favorite stories for Black History Month.
The Whitman Sisters

The Wonderfully Complex Whitman Sisters

A popular act on the Black vaudeville circuit, the Whitman Sisters relied on a reputation for strong morals while challenging racial and gender codes.
Skilled women workers helped build SS George Washington Carver, Kaiser Shipyards, Richmond, California, 1943

In the Shipyards of San Francisco

Photographer E. F. Joseph captured the dignity of the hundreds of Black women and men who worked on SS George Washington Carver during World War II.
From the cover of Published by the Author

Self-Publishing and the Black American Narrative

Bryan Sinche’s Published by the Author explores the resourcefulness of Black writers of the nineteenth century.
The Death of Cleopatra by Edmonia Lewis

Cleopatra’s Nose

Edmonia Lewis, a sculptor of African and Native American descent, gave Cleopatra “white” European features in her 1876 representation of the Egyptian ruler.

Portico’s Part in Telling the Story of Emmett Till

The Emmett Till Memory Project teaches new generations about the tragedy that kickstarted the Civil Rights Movement. Preserving its digital assets is vital.
Thurgood Marshall, 1976

Thurgood Marshall

In a speech marking the bicentennial of the US Constitution, Marshall argued that its framers intentionally inscribed slavery into the American economy.
A collage of jazz albums

How Jazz Albums Visualized a Changing America

In the 1950s, the covers of most jazz records featured abstract designs. By the late 1960s, album aesthetics better reflected the times and the musicians.