The cover of the July, 1964 issue of ONE Magazine

Patriotism and the LGBTQ+ Rights Movement

Charged with being "un-American" during the Cold War, activists appealed to American ideals in their quest for full citizenship.
A fallout shelter

The D-I-Y Fallout Shelter

In the 1950s and 1960s, families planning for the apocalypse often took a homespun approach.
Map of the United States showing the state nicknames as hogs, 1884

What Ever Happened to the Beetheads?

A lighthearted look at Americans' nicknames of yore, from master humorist H. L. Mencken.
Hormel Girls

The Singing, Dancing Hormel Girls Who Sold America SPAM

SPAM was introduced 80 years, but it was a military-style corps of singing women that helped the canned meat skyrocket in the years after World War II.
Portland diner

The Making of the American Diner

Today's diners would surprise a 1940s patron. These restaurants were once vulgar boy’s clubs before becoming today's family-friendly establishments.
Main Street U.S.A. at Disneyworld

Walt Disney, Urban Utopian

The Main Street of Disneyland and Disney World were Walt Disney's first attempts at creating the utopian city he could never quite manage.
Photograph: President Barack Obama, Ruby Bridges,  and representatives of the Norman Rockwell Museum view Rockwell’s  "The Problem We All Live With,"  hanging in a West Wing hallway near the Oval Office, July 15, 2011.  Ruby Bridges is the girl in the painting. (Official White House Photo by Pete Souza)
This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House. 

Source: https://flic.kr/p/a41wAb

Norman Rockwell: Provocative Artist or Predictable Hack?

While Norman Rockwell's paintings struck a chord with the mass American public, that was not always not the case with art critics.