Photographer Francesca Woodman’s Haunting Dissolutions
Woodman's imagery engaged with architectural and natural landscapes that were themselves in a state of change and decay.
How Impressionist Berthe Morisot Painted Women’s Lives
Berthe Morisot never became as famous as her counterparts Claude Monet and Édouard Manet, but her work has an important place in art history.
Frida Kahlo’s Forgotten Politics
Museum exhibitions of Frida Kahlo's work tend to focus on her personal style and persona. But Kahlo was intensely political, as were her paintings.
When Dole Sent Georgia O’Keeffe to Hawaii
In 1939, Dole Pineapple Company sent Georgia O’Keeffe to Hawaii for three months in order to produce works that could be used in their advertisements.
How 1971’s Womanhouse Shaped Today’s Feminist Art
The National Museum of Women in the Arts exhibit “Women House” pays tribute to the foundational 1972 project of Judy Chicago and Miriam Schapiro’s “Womanhouse.”
The Same-Sex Household That Launched 3 Women Artists
The "Red Rose Girls"—Violet Oakley, Jessie Wilcox Smith, and Elizabeth Shippen Green—met at the Pennsylvania Academy of Fine Arts in the 1880s.
Linda Nochlin on “Why Have There Been No Great Women Artists”
Art historian and critic, Linda Nochlin changed the field of art history, shifting both the field and the viewers’ gaze.
The Other Side of Beatrix Potter
Beatrix Potter biography covers a lot more than than just cute bunnies getting into trouble in mean old Mr. McGregor's farm, not that there's anything wrong with that.
Discovering the Real Little Women: Researching The Other Alcott
Louisa May Alcott's "Little Women" is a cultural touchstone. But what about the women behind the "Women," Alcott's real-life sisters on whom she based her characters? An interview with novelist Elise Hooper considers the life of "The Other Alcott."
The Scottish Sisters Who Pioneered Art Nouveau
Margaret and Frances Macdonald and their Glasgow School of Art classmates Charles Rennie Mackintosh and Harold MacNair were Art Nouveau's Glasgow Four.