Woman's Art Journal

Berthe Morisot never became as famous as her counterparts Claude Monet and Édouard Manet, but her work has an important place in art history.

Museum exhibitions of Frida Kahlo's work tend to focus on her personal style and persona. But Kahlo was intensely political, as were her paintings.

In 1939, Dole Pineapple Company sent Georgia O’Keeffe to Hawaii for three months in order to produce works that could be used in their advertisements.

The National Museum of Women in the Arts exhibit “Women House” pays tribute to the foundational 1972 project of Judy Chicago and Miriam Schapiro’s “Womanhouse.”

The "Red Rose Girls"—Violet Oakley, Jessie Wilcox Smith, and Elizabeth Shippen Green—met at the Pennsylvania Academy of Fine Arts in the 1880s.

Art historian and critic, Linda Nochlin changed the field of art history, shifting both the field and the viewers’ gaze.

Beatrix Potter biography covers a lot more than than just cute bunnies getting into trouble in mean old Mr. McGregor's farm, not that there's anything wrong with that.

Louisa May Alcott's "Little Women" is a cultural touchstone. But what about the women behind the "Women," Alcott's real-life sisters on whom she based her characters? An interview with novelist Elise Hooper considers the life of "The Other Alcott."

Margaret and Frances Macdonald and their Glasgow School of Art classmates Charles Rennie Mackintosh and Harold MacNair were Art Nouveau's Glasgow Four.

Postmodernist painter and printmaker Emma Amos makes artwork that references historical figures as well as her family legacy.