William Henry West Betty by John Opie, 1804

A Teen Celebrity in 1804

When thirteen-year-old actor William Henry West Betty arrived in London from Ireland, crowds mobbed theaters and camped outside his home.
The Griffin Sisters

The Griffin Sisters Helped Build Black Vaudeville

The sisters were not only a singing duo, they were successful businesswomen and advocates for Black-owned enterprises in the entertainment world.
An advertisement for a performance by Richard Potter

America’s First Ventriloquist

Richard Potter, the first American-born ventriloquist and stage magician, learned his trade after being kidnapped and abandoned as a child in Great Britain.
Scottish singer and actress Lulu listens to a small portable Rhapsody DeLuxe radio

Music Only for a Woman: The Birth of Easy Listening

A 1970s radio format geared towards the "feminine psyche" featured musical rearrangements with softer and gentler styles of the day's hits.
The Kim Sisters with Dean Martin

Ladies and Gentlemen, It’s The Kim Sisters

The diversification of talent on American variety shows obscured the reality of race relations in the United States during the Cold War.
Members of Tjapukai Dance Theatre

Reggae in Australia

In the 1970s, Willie Brim, a member of the Buluwai people, learned about Peter Tosh and Bob Marley from hippies who lived near his community. And the joy began.
A Vocalion Records advertisement, 1929

“It’s Tight Like That”

A "dirty" song recorded by Georgia Tom and Tampa Red in 1928 launched the "hokum" blues.
A Mellotron M400S

Tape Heads

The Mellotron, an electronic keyboard of recorded samples, heralded the digital age, and its use in “Strawberry Fields Forever” changed pop music history.
Martha Graham

Martha Graham’s Night Journey

Reinterpreting the Greek tragedy, Graham built a choreography of dramatic, angular movements to embody the female experience, past and present.
A cartoon of a woman's hand holding a microphone

Honey Cocaine’s Unexpected Cambodian Canadian Life Story

The Toronto rapper embraces a patois-inflected “bad gal” image to tell a deeply personal story about historical violence.