An exhibition of Damage Control by John Baldessari

Why John Baldessari Burned His Own Art

The artist's "Cremation Project" of 1970 marked a liberation from the tradition of painting and a step toward a more encompassing vision.
Ray Bradbury

Ray Bradbury on War, Recycling, and Artificial Intelligence

As the 21st century unravels, Ray Bradbury remains a fundamental figure of the sci-fi genre.
An illustration depicting two regency-era women speaking with an iMessage bubble

Is Jane Austen the Antidote to Social Media Overload?

Racking up likes and followers today resembles the nonstop friending of 19th-century England. But Austen's characters figured out how to disengage.
Isaac Asimov. Photo by Jay Kay Klein, courtesy Regents of the University of California

Asimov’s Empire, Asimov’s Wall

The science fiction author Isaac Asimov engaged in forms of unwanted touching with countless women. It set the tone for the entire genre.
A still from The Lodger, 1927

Hitchcock’s Transition from London to Hollywood

In England, Alfred Hitchcock cultivated a comedic sensibility that shines through in his Hollywood thrillers.
El Jaleo by John Singer Sargent, 1882

What Did Franco’s Spain Do to Spanish Music?

Contemporary Spanish genres like flamenco and zarzuela still carry the weight of cultural associations with Franco’s fascist regime.
Cixin Liu

“To Reach the Pure Realm of the Imaginary:” A Conversation with Cixin Liu

The science fiction author Cixin Liu is best known for his mind-bending trilogy The Three Body Problem.
A Moog synthesizer

The Fear That Synthesizers Would Ruin Music

A German musicologist complained in 1954 that they reminded him of "barking hell-hounds."
Employees of the Fleischer Studios picket the New Criterion Theater in New York to protest against the showing of Popeye and other cartoons drawn by striking Fleischer artists, 1937.

The Great Animation Strike

Animation workers took to the streets, carrying signs with bleakly humorous slogans. One read: “I make millions laugh but the real joke is our salaries.”
King Lear, Act I, Scene I by Edwin Austin Abbey

The Rowdy Women of Early Modern Theater

There were, in fact, women in the audiences of Shakespeare’s plays. Some came to watch; others to sell their wares; others to get on stage themselves.