Poster and art for Mark Twain's Joan of Arc

Mark Twain’s Obsession with Joan of Arc

Despite being famous for his witty analyses of the American South, Twain was proudest of the historical fiction he wrote about France’s legendary martyr.
Photo of Bob MARLEY; performing live on stage,

From Jamaica to the World: Contextualizing Bob Marley

Bob Marley’s life and music intersected with Pan-Africanism, the Rastafari movement, and post-colonial politics around the globe.
Gremlins, 1984

PG-13: Some Material May Be Inappropriate

The creation of the PG-13 rating in 1984 can be traced to a few key films: Poltergeist, Indiana Jones and the Temple of Doom, and Gremlins.
Paul R. Williams

Paul Revere Williams: An Architect of Firsts

The first African American architect licensed in the state of California, Williams blazed a trail to the (Hollywood) stars.
Rationale of the Dirty Joke by G. Legman

G. Legman and the Bawdy Eclectic

A fierce opponent of censorship, Gershon Legman helped legitimize the academic study of erotic folklore as manifested in jokes, limericks, and songs.
Deteriorating nitrate motion picture film

Combustible Cinema? The Nitrate Film Issue

The early plastic called celluloid was made of nitrocellulose and camphor. It made for spectacular pictures. It also made for spectacular fires.
Four versions of Hokusai's Great Wave, from the Art Institute of Chicago, LACMA, Tokyo National Museum, and British Museum

Under Hokusai’s Great Wave

Hokusai’s watery woodblock print is such a common sight that most people tend to look past the peril at its center.
Willie Mae Thornton

Willie Mae Thornton Deserves Your Full Attention

In a meditative new biography, DJ and scholar Lynnée Denise examines the mysteries and trials in the life of the legendary performer.
Punctuation Personified: or, Pointing Made Easy (London: John Harris, 1824).

What Is Punctuation For?

Between the medieval and modern world, the marks used to make writing more legible changed from “pointing” to punctuation.
Paul Borduas

The “Refus Global”

Published in 1948 by the artist group Les Automatistes, the Refus Global manifesto challenged Québécois political, religious, and social traditions.