An image created with Adobe Firefly using the prompt, "a room full of students creating art on computers"

AI and the Creative Process: Part Three

The multifaceted nature of creativity subverts the assumption it’s a human endeavor exclusively—meaning we might need to radically re-think the definition of “art.”
An AI image generated using Adobe Firefly, depicting a painting of a group of 6 people gathered around a toilet in a gallery

AI and the Creative Process: Part Two

Though technological innovation has always influenced considerations of art—think of Duchamp’s controversial urinal—the constant throughout is human touch.
Bride of Frankenstein, 1935

Bride of Frankenstein

Drawn from the margins of Mary Shelley's 1818 novel, the cinematic Bride of Frankenstein is never just one thing, and she never goes away.
An image generated using Adobe Firefly

AI and the Creative Process: Part One

How does generative artificial intelligence upend conventional understandings of who is and what makes for a true artist?
John Cho

Why #StarringJohnCho Is Not Enough for Asian American Cinema

Filling more movie roles with Asian American actors may be the wrong goal if such visibility promotes stereotypes or buys into Hollywood's fantasies of power.
An undated Bay Area poster by a “punk with copymachine,” offering up free copies (BYO paper).

Xerox and Roll: The Corporate Machine and the Making of Punk

On the 85th anniversary of the first xerographic print, a collection of punk flyers from Cornell University provides an object lesson on (anti-)art in the age of mechanical reproduction.
Tom Cruise runs in a scene from the film 'Minority Report', 2002

The History of Precrime

UCLA’s Violence Center was squelched by political revolt, not so much for its ambition to stockpile behavioral data as Americans' fear of psychosurgery.
Mano Po and Crying Ladies

The Changing Face of Chinese Filipinos

In addition to economic changes in the region, recent box office hits also reflect the impact of the mass naturalization of Chinese Filipino citizens in the 1970s.
Sylvia Plath's Ariel against a background of bees

Sylvia Plath’s Fascination with Bees

The social organization of the apiary gave Sylvia Plath a tool for examining her aesthetic self, even as her personal world slipped into disarray.
The cover of "First They Killed My Father" by Loung Ung

Should Readers Trust “Inaccuracy” in Memoirs about Genocide?

To what extent do errors undermine life writing? The question is an urgent one when that writing is testimony to the genocidal actions of the Khmer Rouge.