Across thousands of images, Portland State University's yearbooks captured both society's upheaval and the city's cultural metamorphosis.

Many aspects of Freddy Krueger's backstory and actions in A Nightmare on Elm Street echo portrayals of the folkloric bogeyman who targets children.

Drawn from the margins of Mary Shelley's 1818 novel, the cinematic Bride of Frankenstein is never just one thing, and she never goes away.

Filling more movie roles with Asian American actors may be the wrong goal if such visibility promotes stereotypes or buys into Hollywood's fantasies of power.

On the 85th anniversary of the first xerographic print, a collection of punk flyers from Cornell University provides an object lesson on (anti-)art in the age of mechanical reproduction.

UCLA’s Violence Center was squelched by political revolt, not so much for its ambition to stockpile behavioral data as Americans' fear of psychosurgery.

In addition to economic changes in the region, recent box office hits also reflect the impact of the mass naturalization of Chinese Filipino citizens in the 1970s.

The archives of the historically Black Tuskegee University recently released recordings from 1957 to 1971, with a number by powerful civil rights leaders.

Evolving from the analysis of representations of women in film, feminist film theory asks questions about identity, sexuality, and the politics of spectatorship.

The shift from city centers to suburbs was reflected in post-World War II television programming.