An AI image generated using Adobe Firefly, depicting a painting of a group of 6 people gathered around a toilet in a gallery

AI and the Creative Process: Part Two

Though technological innovation has always influenced considerations of art—think of Duchamp’s controversial urinal—the constant throughout is human touch.
An image generated using Adobe Firefly

AI and the Creative Process: Part One

How does generative artificial intelligence upend conventional understandings of who is and what makes for a true artist?
An undated Bay Area poster by a “punk with copymachine,” offering up free copies (BYO paper).

Xerox and Roll: The Corporate Machine and the Making of Punk

On the 85th anniversary of the first xerographic print, a collection of punk flyers from Cornell University provides an object lesson on (anti-)art in the age of mechanical reproduction.
Yeshaia Leibowitz

Revisiting Yeshayahu Leibowitz

The late Israeli thinker spoke of the occupation's moral cost for both sides of the conflict. A philosopher considers how his nuanced arguments hold up in 2023.
The Argive Heraion sanctuary, looking towards the New Temple

Layers and Landmarks at the Argive Heraion

Using text analysis tools such as JSTOR's Constellate helps archaeologists see how the meanings and interpretations of heritage sites have changed over time.
man jumping on the roof in city with abstract grunge,illustration painting

Walkers in the City—and Everywhere

In psychogeography, the journey is key. Each step a person takes helps them reshape and better understand the role the space around them plays in their life.
Kahlil Gibran

Kahlil Gibran: Godfather of the “New Age”

Published in 1923, The Prophet became a perpetual best-seller, birthed a genre, and marked the poet as retrograde, sentimental, and florid.
Fernando Pessoa, 1914

“The Poet Is a Man Who Feigns”

Portuguese modernist Fernando Pessoa channeled a grand, glorious chorus of writers—heteronyms, he called them—robust inventions of his unique imagination.
William Henry Fox Talbot, by John Moffat, 1864

The Daguerreotype’s Famous. Why Not the Calotype?

William Henry Fox Talbot’s obsession with protecting his pioneering photographic process doomed his reputation and reduced his legacy to historical footnote.
Three covers from Venus Magazine

From the Black Queer South to the World

Across its twelve-year lifespan, Atlanta-based Venus magazine brought southern voices to the larger Black queer print media network.