Logging in the Oregon forests, c. 1917

Water Logs

Log drivers once steered loose timber on rivers across America before railroad expansion put such shepherds out of work.
Athanasius Kircher

Athanasius Kircher’s “Musical Ark”

The first algorithmically generated music came to us in the seventeenth century, courtesy of Kircher and his Arca musarithmica.
Loie Fuller

The Serpentine Career of Loïe Fuller

Rising from the ranks of touring comedies and Wild West shows, the American dancer dreamed of a future of light, movement, and metamorphosis.
Lady Florence Baker

Florence Baker, Unsung Survivor

Narrowly escaping slavery herself, Baker risked her life to repress the Saharan slave trade, sought the source of the Nile, and challenged Victorian social conventions.
View of the Rock of Gibraltar as seen from the Sierra Carbonera Mountains of Cadiz, Spain

Gibraltar: Where Two Worlds Meet, the Monkeys Roam

Home to the genetically unique Barbary macaques, Gibraltar serves up an intriguing mix of European cultures to residents and tourists alike.
Weston Havens House

Searching for Queer Spaces

The dominant heteroview of architectural history means we may lose our queer spaces and their histories before we even know they exist.
Charles Nelson of Hoxton in East London has been working as a 'knocker-up' for 25 years. He wakes up early morning workers such as doctors, market traders and drivers.

Who and What Was a Knocker-Upper?

Pour one out for the people paid to rouse the workers of industrial Britain.
An illustration of Dublin with a fleet of medieval ships above it in the sky

Ireland’s Upper Sea

In medieval Ireland, ships that sailed across the sky were both marvelous and mundane.
Rural broadband illustration

Public Media and the Infrastructure of Democracy

Federal support for broadband expansion reflects the understanding that communication is as vital as roadways to the republic.
Buffalo Bill's wild West and congress of rough riders of the world

The Triumphalism of American Wild West Shows

From the 1880s to the 1930s, hundreds of Wild West shows encouraged white audiences to view Native American culture as a rapidly vanishing curiosity.