King Lear, Act I, Scene I by Edwin Austin Abbey

The Rowdy Women of Early Modern Theater

There were, in fact, women in the audiences of Shakespeare’s plays. Some came to watch; others to sell their wares; others to get on stage themselves.
From a poster for Charles Frohman’s dramatic production, The Hand of Destiny by Pierre Decourcelle, 1896

Why Did “Thieves’ Cant” Carry an Unshakeable Allure?

If thieves’ cant—a language known only to criminals—was the Devil’s cabinet, bourgeois society couldn’t help but peep inside.