While Neo may be the One, he’s not the character who gets the action going in the first film—that’s Trinity.

Night of the Living Dead’s production story reads like a means to an end: a rag-tag group of creatives makes a movie on nothing to get noticed.

Chantal Akerman’s The Eighties proves that a musical set in a mall can be a significant feminist work.

The attitudes reflected in the James Bond franchise are wildly out of touch with social reality.