Why John Baldessari Burned His Own Art
The artist's "Cremation Project" of 1970 marked a liberation from the tradition of painting and a step toward a more encompassing vision.
The Anti-Jewish Tropes in How the Grinch Stole Christmas
You’re a mean one, Mr. Grinch. You’re in keeping with the medieval tradition of viewing the Jew as an outcast and a baleful force in society.
Walter Benn Michaels: What’s His Deal?
The literary critic Walter Benn Michaels challenges the prevailing trends of postmodernist theory.
Why Do Governments Target Protest Masks?
The galvanizing power of the ideology behind a protest mask is a palpable thing.
The Rhythms of Shaker Dance Marked the Shakers as “Other”
The name Shaker originally comes from the insult “Shaking Quakers,” which mocked the sect’s use of their bodies in worship.
How Natural Black Hair at Work Became a Civil Rights Issue
On the 55th anniversary of the Civil Rights Act, U.S. courts are still divided about African Americans’ right to wear their natural hair in the workplace.
Franz Kafka’s The Trial—It’s Funny Because It’s True
Just because you’re paranoid doesn’t mean they’re not out to get you.
Ai Weiwei’s Readymade: Politics
Chinese artist Ai Weiwei has been making political waves for decades, but his current shows are especially relevant to the United States.
The Future of Forgiveness Is Online
When our flame wars, insensitive Facebook comments, and rude texts are catalogued online indefinitely, can we still forgive and forget?
The Magic Lantern Shows that Influenced Modern Horror
Eighteenth and early nineteenth century audiences were delighted and horrified by these spectral apparitions conjured in dark rooms.