Three women and five men gathered in a room which opens up to classical architecture, the group on the left is making music while the others are engaged in conversation; representing the continent of Europe.

Musical Myth-Busting: Teaching Music History with JSTOR Daily

Harnessing the power of quirk to engage students and inspire research in an online learning environment.

Our Obsession with Art Heists

A deeply ingrained interest in stolen objects and their recovery reflects our collective uncertainty over how we value art.
Legal Corner

Search Warrants and Case Law, a Prison Primer

The laws around search and seizure as they apply to average people, explained by Rafael Torres, an incarcerated Inmate Counsel Substitute in Louisiana.
Eugene Debs speaking at Canton, Ohio, 1918

In The Debs Archive

The papers of American labor activist and socialist Eugene V. Debs (1855–1926) offer a snapshot of early twentieth-century politics.
A film title lantern slide for Broncho Billy

Whatever Happened To The Male Movie Fan?

In the early days of the film industry, the fanzone was full of men and boys. Then the studios chased them all away.
An image of The Sandman

In the Gutters of Neil Gaiman’s The Sandman

Gaiman’s stories echo with narratives from the Western canon, taken from folktales and communal memory, displaced into something that feels fresh.
Comic books and collectibles are seen during WonderCon 2018 at Anaheim Convention Center on March 23, 2018 in Anaheim, California.

Teaching Comics: A Syllabus

So you want to teach The Sandman? Or William Blake? Or Art Spiegelman’s Maus? A guide to using comics and graphic novels in the classroom.
An illustration from Mary Shelley's Frankenstein, 1831

The Hoax That Inspired Mary Shelley

In the hot summer of 1826, the British people—including science fiction author, Mary Shelley—embraced a fake and frozen Roger Dodsworth.
The Alamo by day with the Texas flag waving

How to Remember the Alamo?

A historian’s childhood visit to the Texas monument prompts questions about history, memory, and multiculturalism.
The Staples Singers performing at Wattstax Los Angeles Memorial Coliseum on August 20, 1972.

How Wattstax Ushered in a New Era of Black Art

Organized in the aftermath of the 1965 Watts uprising, the music festival showed that something powerful was happening in the Black community.