A large poster for the film Ebony Parade with a blue background and an off-white border. Across the blue background are red musical notes and stars outlined in white. At the top center in red lettering is "20 Great Stars". Printed in the center in small black type is "Astor Pictures presents" followed by "EBONY PARADE" in large yellow letters over a red background. Surrounding the title are color photographic portraits of the stars of the film. At the top left are the faces of Mantan Moreland, Dorothy Dandridge and Ruby Hill, followed by a full portrait of a seated Mabel Lee and in the bottom left corner is an image of the Mills Brothers gathered around two microphones. On the right side are the faces of Cab Calloway, Vanita Smythe, Francine Everett, and Count Basie. At the bottom right is a yellow box bordered in black with red text that reads "featuring / Cab Calloway * Count Basie / His Band His Band / Mills. Bros. * Vanita Smythe / Mantan Moreland * Mable Lee/ Ruby Hill * Francine Everett / Dorothy Dandridge * Pat Flowers / and / Day, Dawn, and Dusk * Jubilaries".

Mills Panoram and Soundies

In the 1940s, these short films set to music transgressed Hollywood’s racial mythology to create space for Black artists to experiment—and have fun.
Portrait of Margaret Bonds, 1956

Keeping Scores: Unearthing the Works of Black Women Composers

Black women composers have been active in the US since at least the mid-nineteenth century, yet they’re largely omitted from scholarship on women musicians.
From left to right: Valery Larbaud, Léon-Paul Fargue, Marie Monnier, Sylvia Beach, and Adrienne Monnier in 1924 the fair at the Quai d’Orsay in Paris

The Short-Lived Le Navire d’Argent

Despite its short run, Adrienne Monnier’s literary review made its mark on modernist literature, publishing the work of James Joyce, T. S. Eliot, and Walt Whitman.

Principles of Composition in Art and Design

An artist combines repetition, balance, proportion, movement, and other design elements to form the whole of a visual composition.
Part of the series La Città Nuova, 1914, by Antonio Sant'Elia

Exploring the Avant-Garde Architectural Manifesto

More than a century later, the architectural manifesto continues to hold our attention, emphasizing a charged moment when society was breaking with the past.
A woman's mouth whispering into a man's ear.

Isabel Allende’s “Two Words”

Many have tried to guess the two magical words whispered by Allende’s character Belisa Crepusculario, but the author has yet to reveal them.
Lucille Clifton posing for a photograph; Louisa H. Bowen University Archives and Special Collections; Southern Illinois University Edwardsville

Remembering Her Memories: Lucille Clifton’s Generations in Our Time

The poet stares history down in an artful, Whitman-infused exploration of traumas her family endured and survived.
A detail from Ophelia by John Everett Millais, c. 1851

Elizabeth Siddal, the Real-Life “Ophelia”

A working-class woman with artistic aspirations of her own, Siddal nearly died of pneumonia after posing for John Everett Millais’s iconic painting.
A jet brooch with a vulcanite ring

Victorians Mourned with Vulcanized Rubber Jewelry

Nineteenth-century Anglo-American mourning rituals called for a period of sentimental sadness, but they also demanded an investment in clothing and jewelry.

Michael Gold: Red Scare Victim

The author of Jews Without Money, a proletarian lit best-seller, was ostracized for his Communism and derided for his prose. Today he is all but forgotten.