Adrienne Rich with Susan Sherman. Photo by Colleen McKay. c. 1983

The Incredible Versatility of Adrienne Rich

Rich challenged the language of the past in poetry and prose while not quite embracing a fully inclusive future.
Three covers from Venus Magazine

From the Black Queer South to the World

Across its twelve-year lifespan, Atlanta-based Venus magazine brought southern voices to the larger Black queer print media network.

The Blu’s Hanging Controversy

Some have argued that the 1997 novel Blu's Hanging perpetuates East Asian racism against Filipinos while undermining criticism through violent sexuality.
Isokon Flats, c. 1978

The Spy Who Shared My Foyer

Luminaries from Agatha Christie to Walter Gropius gravitated to London’s “Lawn Road Flats.” So too did a far less conspicuous cohort: assets for the USSR.
Lord Byron's Maid of Athens

When Lord Byron Tried to Buy a Twelve-Year-Old Girl

The English poet fell in love with Teresa Makri while he was traveling in Greece and subsequently tried to purchase her from her mother.
From the cover of American Born Chinese by Gene Luen Yang, 2006

The Caricature Who Couldn’t Appear on American Born Chinese

The television adaptation of Gene Luen Yang's graphic novel called for significant changes to the character of Chin-Kee.
An Illustration from Leila; or, The Island

What if Robinson Crusoe was a Girl?

In nineteenth-century England, stranding a (fictitious) girl on an island made a good argument for imperialism.
From the cover of the 1977 paperback release of Bear by Marian Engel.

Canada’s Most Controversial Novel

Marian Engel's 1976 novel Bear is famous for its embrace of bestiality, but it also offers a commentary on humans' relationship with the natural world.
Julian Hawthorne and Margaret Fuller

A Literary Hit Job: Julian Hawthorne Takes Down Margaret Fuller

Fuller’s works, and works about her, sold very well until Hawthorne cast her as a “fallen woman” in his biography of his parents.

The Tricky Sentimentality of Lan Cao’s Monkey Bridge

The Vietnamese American literary classic undermines the readers’ expectations of a redemptive narrative of immigration and memory.