The fact that people can use “literally” about things that can’t possibly be factual may literally make your blood boil.
Margaret Cavendish, Duchess of Newcastle-upon-Tyne, shocked the establishment by publishing poems and plays under her own name.
Author Shena McAuliffe describes how she used JSTOR to research her debut novel, The Good Echo.
A Curious Reader asks: To be or naught to be?
Charlotte Brontë, a woman whose life was steeped in stifled near-romance, refused to write love as ruly, predictable, or safe.
The often explicit letters James Joyce wrote to Nora Barnacle contain the same mass of contradictions as his famous literary works, like Ulysses.
Smoldering glances? Romantic letters? Forbidden love? Why Persuasion may be the most seductive of Jane Austen's novels.
For white, middle-class women in the 19th century U.S., courtship and marriage offered less emotional intimacy than their friendships with other women.
How romance novels—despite their decided lack of cultural clout—became big business for the publishing industry.
New books and scholarship from Stanford University Press, University of Minnesota, and MIT Press.