The cover of a 1908 edition of The Horla by Guy de Maupassant

Sneaky Racism in a Ghost Story

Guy de Maupassant’s spooky story "The Horla" captured French anxieties about race, foreigners, and contagious diseases.
Sylvia Plath's Ariel against a background of bees

Sylvia Plath’s Fascination with Bees

The social organization of the apiary gave Sylvia Plath a tool for examining her aesthetic self, even as her personal world slipped into disarray.
The cover of "First They Killed My Father" by Loung Ung

Should Readers Trust “Inaccuracy” in Memoirs about Genocide?

To what extent do errors undermine life writing? The question is an urgent one when that writing is testimony to the genocidal actions of the Khmer Rouge.
A painting of Homer by William Blake

“Tell Me about a Complicated Man”: A Homer Reading List

The amount of scholarship on Homer and his works can be daunting. We've created this introductory reading list to help guide your explorations.
Kahlil Gibran

Kahlil Gibran: Godfather of the “New Age”

Published in 1923, The Prophet became a perpetual best-seller, birthed a genre, and marked the poet as retrograde, sentimental, and florid.
Fernando Pessoa, 1914

“The Poet Is a Man Who Feigns”

Portuguese modernist Fernando Pessoa channeled a grand, glorious chorus of writers—heteronyms, he called them—robust inventions of his unique imagination.
Adrienne Rich with Susan Sherman. Photo by Colleen McKay. c. 1983

The Incredible Versatility of Adrienne Rich

Rich challenged the language of the past in poetry and prose while not quite embracing a fully inclusive future.
Three covers from Venus Magazine

From the Black Queer South to the World

Across its twelve-year lifespan, Atlanta-based Venus magazine brought southern voices to the larger Black queer print media network.

The Blu’s Hanging Controversy

Some have argued that the 1997 novel Blu's Hanging perpetuates East Asian racism against Filipinos while undermining criticism through violent sexuality.
Isokon Flats, c. 1978

The Spy Who Shared My Foyer

Luminaries from Agatha Christie to Walter Gropius gravitated to London’s “Lawn Road Flats.” So too did a far less conspicuous cohort: assets for the USSR.