Low Country artists of the late Renaissance and Early Baroque eras captured the happiness and hardships of snowy winters—an ever rarer phenomenon now.

Recruited to the war effort thanks to their deft research skills and technological know-how, librarians used microforms to gather and share intelligence with Allied forces.

Contrary to popular misconceptions, Europeans in the Middle Ages took pains to keep themselves clean.

William Carlos Williams's hybrid work of poetry and prose both upended narrative conventions and delighted in the wondrous, unifying force of imagination.

"Except as punishment for a crime," reads the constitutional exception to abolition. In prison plantations across the United States, slavery thrives.

In 1710, Queen Anne of England feted four Native American dignitaries—would-be political allies. Their presence at a performance of Macbeth caused a stir.

Ronald Johnson’s Valley of the Many-Colored Grasses, newly re-issued, offers entry into the work of a pioneering master collagist.

The multifaceted nature of creativity subverts the assumption it’s a human endeavor exclusively—meaning we might need to radically re-think the definition of “art.”

Though technological innovation has always influenced considerations of art—think of Duchamp’s controversial urinal—the constant throughout is human touch.

How does generative artificial intelligence upend conventional understandings of who is and what makes for a true artist?