A clown and a harlequin are amongst the characters portrayed by King William IV (1765 - 1837), Lord Broughan, Lord Gray and Lord Eldon at a royal Christmas pantomime.

A Holiday Pantomime

With origins in the theater of the early eighteenth century, “panto” remains a crucial element of the holiday season in Great Britain and Ireland.
Bangsawan, Malay opera Penang, circa 1895

Gonna Make You a (Bangsawan) Star

The bangsawan theater in early twentieth-century Malaya offered women a chance to build a public identity beyond marriage and motherhood.
La Bayadere, Estudio Dance Mariela Gonzáles, 2018

Pas de Deux With Cancel Culture

Traditionally set amidst an exoticized conception of India, La Bayadère’s recent staging argues for stripping away stereotypes in the creative reimagination of old ballets.
Photographs from a review of Black America, in Illustrated American, 1895

Nate Salsbury’s Black America

The 1895 show purported to show a genuine Southern Black community and demonstrate Black cultural progress in America, from enslavement to citizenship.
The murder of August von Kotzebue

Assassination of A Playwright, Birth of A Nationalism

The 1819 assassination of playwright August von Kotzebue by theology student Karl Sand is considered one of foundational moments in German nationalism.
William Henry West Betty by John Opie, 1804

A Teen Celebrity in 1804

When thirteen-year-old actor William Henry West Betty arrived in London from Ireland, crowds mobbed theaters and camped outside his home.
An advertisement for a performance by Richard Potter

America’s First Ventriloquist

Richard Potter, the first American-born ventriloquist and stage magician, learned his trade after being kidnapped and abandoned as a child in Great Britain.
Martha Graham

Martha Graham’s Night Journey

Reinterpreting the Greek tragedy, Graham built a choreography of dramatic, angular movements to embody the female experience, past and present.
An illustration of an audience pelting the cast with cats, eggs, onions, turnips, and other vegetables and fruits

Riot! At the Theater

One audience demanded more censorship, another less. Both challenged the reach of anti-obscenity laws in the early twentieth century.
Geraint Lewis by kind permission of the Egypt Exploration Society

Pieces and Bits

What does it take to stage Cresphontes, a lost Euripides tragedy, when all that remains of it are a few fragments of papyrus?