Painting Race
The construction and expression of race by skin color literally became visible in Western art in the eighteenth century.
The Genius of Georgette Chen
Little known outside of Singapore and Malaysia, Georgette Chen was an iconic artist of the Nanyang Style.
Picturing Christina of Denmark
Christina of Milan, Duchess of Milan, used an unusual tool to avoid becoming one of Henry VIII's unfortunate wives—the royal portrait.
The Climate Canvasses of the Little Ice Age
Low Country artists of the late Renaissance and Early Baroque eras captured the happiness and hardships of snowy winters—an ever rarer phenomenon now.
Punitive Portraits of the Renaissance
The Italian legal tradition called for the public display of a humiliating—but recognizable—portrait of the disgraced person.
Why We Connect with Vincent van Gogh’s Paintings
Van Gogh was a troubled soul and master painter who relied on his emotions and color to create art that continues to attract millions of viewers.
How René Magritte Became the Grudging Father of Pop Art
Though he dismissed Pop as “window dressing, advertising art,” many critics and artists of the 1960s claimed Magritte as the movement's greatest forebearer.
Dummy Boards: the Fun Figures of the 1600s
These life-sized painted figures, popular in Europe and colonial America in the seventeenth and early eighteenth century, were designed to amuse and confuse.
Taking Liberties With Biblical Stories
In the Christian New Testament, Saint John the Baptist and Salome never meet. Why, then, does she appear at the bars of his cell in Guercino’s moody painting?
Elizabeth Siddal, the Real-Life “Ophelia”
A working-class woman with artistic aspirations of her own, Siddal nearly died of pneumonia after posing for John Everett Millais’s iconic painting.