A woman wearing a face mask walks inside the Universal Studio station on March 05, 2020 in Osaka, Japan.

The Fear of Bare, Naked Ladies’ Faces

The mask, like the veil, is seen by the anxious West as concealing a racialized female subject in need of liberation from a backward culture.
Multitasking woman at home at laptop

The Gendered Labor of Noticing and Anticipating

Through interviews with couples, sociologist Allison Daminger refines our understanding of cognitive labor in the household.
Seventeen Syllables and Other Stories

Wartime Injustice: When “Yes” Means “No”

The mother-daughter relationship in Hisaye Yamamoto’s fiction is a stand-in for the relationship between the American nation-state and the Nisei male citizens.
Set of school teachers stand at the blackboard and explains the material. Hand drawn illustration.

This One Number on a Form Can Reduce Gender Inequality

Reducing the gap between quantitative evaluation scores for male and female instructors may be as simple as changing a single number.
Passengers freshening up in the ladies' restroom at the Greyhound bus terminal, Chicago, 1943

In the Ladies’ Loo

Gender-segregated bathrooms tell a story about who is and who is not welcome in public life.
the god Thor dressed up as Freyja, with artificial breasts, a necklace (Brísingamen) and a keychain. Loki, also dressed as a woman, is fixing up Thor's headgear.

That Time Thor and Loki Cross-Dressed

Why the Old Norse gods disguised themselves as a bride and bridesmaid before visiting Thrymr, king of Jötunheima.
Mathilde “Missy” de Morny

The Cross-Dressing Superstar of the Belle Époque

Mathilde de Morny's commitment to a masculine aesthetic and a non-traditional lifestyle in nineteenth-century France challenged the boundaries of gender identity.
Ralph Kerwineo, 1914

Introducing Ralphero Kerwineo

He just wanted to live an honest life.
Sixteenth century portrait painting of Caterina Sforza

Did Caterina Sforza Flash an Army?

According to legend, Sforza lifted her skirts to show her adversaries that she had the body parts to make more children. But why?
Libyan Sibyles by Michelangeo

Delts Don’t Lie

Renaissance artists routinely used men as models for their depictions of female subjects, yet only the musculatures of Michelangelo tell that story.