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Betsy Golden Kellem

Betsy Golden Kellem

Betsy Golden Kellem is a scholar of the unusual. A historian and media attorney, she has written for The Atlantic, Vanity Fair, Atlas Obscura, The Washington Post and Slate, and serves on the board of the Barnum Museum and the Circus Historical Society.

Buffalo Bill's wild West and congress of rough riders of the world
In the Limelight

The Triumphalism of American Wild West Shows

From the 1880s to the 1930s, hundreds of Wild West shows encouraged white audiences to view Native American culture as a rapidly vanishing curiosity.
An illustration from Winsor McCay's comic strip consisting of 5 panels, featuring a large moon and a little boy.
In the Limelight

The Cutting-Edge Cartoons of Winsor McCay

A prolific, meticulous artist, McCay created characters and storyscapes that inspired generations of cartoonists and animators.
Photograph: Twins Michael and Mary Kerby fail to convey any enthusiasm upon winning a trophy in a Baby Show at Ruislip, Middlesex, May 1934
In the Limelight

Darling or Degrading? Baby Shows in the Nineteenth Century

A stunningly popular form of entertainment, baby pageants promoted the cult of domesticity, showcased maternal pride, and opened a path to fame and wealth.
Annie Edson Taylor, 1902
In the Limelight

American Daredevils

The nineteenth-century commitment to thrilling an audience embodied an emerging synergy of public performance, collective experience, and individual agency.
Mae West c. 1930
In the Limelight

Mae West and Camp

A camp diva, a queer icon, and a model of feminism—the memorable Mae West left behind a complicated legacy, on and off the stage.
People outside the entrance to Luna Park on Coney Island, New York
In the Limelight

Luna Park and the Amusement Park Boom

The fortunes of Coney Island have waxed and waned, but in the early twentieth century, its amusement parks became a major American export.
A large poster for the film Ebony Parade with a blue background and an off-white border. Across the blue background are red musical notes and stars outlined in white. At the top center in red lettering is "20 Great Stars". Printed in the center in small black type is "Astor Pictures presents" followed by "EBONY PARADE" in large yellow letters over a red background. Surrounding the title are color photographic portraits of the stars of the film. At the top left are the faces of Mantan Moreland, Dorothy Dandridge and Ruby Hill, followed by a full portrait of a seated Mabel Lee and in the bottom left corner is an image of the Mills Brothers gathered around two microphones. On the right side are the faces of Cab Calloway, Vanita Smythe, Francine Everett, and Count Basie. At the bottom right is a yellow box bordered in black with red text that reads "featuring / Cab Calloway * Count Basie / His Band His Band / Mills. Bros. * Vanita Smythe / Mantan Moreland * Mable Lee/ Ruby Hill * Francine Everett / Dorothy Dandridge * Pat Flowers / and / Day, Dawn, and Dusk * Jubilaries".
In the Limelight

Mills Panoram and Soundies

In the 1940s, these short films set to music transgressed Hollywood’s racial mythology to create space for Black artists to experiment—and have fun.
Krao Farini, c. 1890
In the Limelight

Finding Krao Farini

Public discourse on the bearded lady, a staple of circus sideshow, revealed the racial biases underpinning Darwinian theory.
In the Limelight

How Muppets Add Meaning to a Mass Media Christmas

The Muppet Christmas Carol works hard to get people to engage with Charles Dickens, but its real success is becoming part of the holiday itself.
Three costumed girls, Pauline, Barbara and Dorothy Luck surrounding Halloween pumpkin, 1940
In the Limelight

Halloween: A Mystic and Eerie Significance

Despite the prevalence of tricks and spooky spirits in earlier years, the American commercial holiday didn’t develop until the middle of the twentieth century.
Federal Theatre Project presents "The drunkard or the fallen saved" Originally produced by P.T. Barnum in his museum
In the Limelight

Temperance Melodrama on the Nineteenth-Century Stage

Produced by the master entertainer P. T. Barnum, a melodrama about the dangers of alcohol was the first show to run for a hundred performances in New York City.
Miss Charmion, 1904
In the Limelight

The “Trapeze Disrobing Act”

Strongwoman Charmion used Thomas Edison’s experiments with moving pictures to encourage women to embrace strength and physical activity.
Cosplayers dressed as characters from Sailor Moon pose during Day 4 of New York Comic Con 2021 at Jacob Javits Center on October 10, 2021 in New York City.
In the Limelight

History, Cosplay, and Comic-Con

Donning costumes in imitation and celebration of fictional characters has a long history that crosses genres, genders, and international boundaries.
Scene from 'Mischievous Matt,' Bracebridge Hemyng (Jack Harkway's), new story in No. 487 Frank Leslie's Boys' and Girls' Weekly
In the Limelight

Dime Novels and Story Papers for Kids

The rise of popular literature for children put a story, a role model, and a set of values in a young boy’s pocket.
From One-Third of a Nation
In the Limelight

The Living Newspaper Speaks

Scripted from front-page news, the Federal Theatre Project’s Living Newspaper plays were part entertainment, part protest, and entirely educational.
Dance marathon, April 20, 1923
In the Limelight

Dance Marathons

In the early twentieth century, dance marathons were an entire industry—and a surprisingly hazardous business.
The Nimatron
In the Limelight

The Nimatron

The world’s first video game made its debut at the Westinghouse pavilion at the New York World's Fair in 1939. Read all about it!
Actors Dennis Morgan and Betty Furness rehearsing a kissing scene for their movie Mama Steps Out, 1937
In the Limelight

The 1918 Flu Pandemic’s Impact on Movie Theaters

With WWI coming to end, 1918 should have been a good year for the movies. Then along came influenza.

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