Ashawnta Jackson is a writer living in Brooklyn, NY. Her writing has appeared in Atlas Obscura, Timeline, Downbeat, and others. You can find her tweeting infrequently @_heyjackson and see more of her work at www.heyjackson.net.
By making what may have been unseen visible, trading cards have often provided an opening into larger conversations on race, gender, and representation.
Jazz, King declared, was the ability to take the “hardest realities of life and put them into music, only to come out with some new hope or sense of triumph.”
