Cabinetmaker to Marie Antoinette, Roentgen designed “surprise furniture,” bureaus and desks that appeared to magically transform at the push of a button.
Beginning in the Middle Ages, the natural world was viewed as a Christian parable, helping humans to give divine meaning to plants, animals, and the heavens.
These life-sized painted figures, popular in Europe and colonial America in the seventeenth and early eighteenth century, were designed to amuse and confuse.
Nineteenth-century Anglo-American mourning rituals called for a period of sentimental sadness, but they also demanded an investment in clothing and jewelry.
Much in the same way we hail cabs in cities today, a medieval Londoner could hail a torch-bearer (a link-boy) to light their way home from a night on the town.
