Gremlins, 1984

PG-13: Some Material May Be Inappropriate

The creation of the PG-13 rating in 1984 can be traced to a few key films: Poltergeist, Indiana Jones and the Temple of Doom, and Gremlins.
Photographs from a review of Black America, in Illustrated American, 1895

Nate Salsbury’s Black America

The 1895 show purported to show a genuine Southern Black community and demonstrate Black cultural progress in America, from enslavement to citizenship.
La Befana by Bartolomeo Pinelli, 1821

A Visit from La Befana

In the Catholic tradition, Epiphany is the day the Three Kings first met Baby Jesus. But in Italy, it’s also the day La Befana shows up with a basket of gifts.
Glee Mandolin, 1900

The Nineteenth-Century Banjo

Derived from an instrument brought to America by enslaved Africans, the banjo experienced a surge of popularity during the New Woman movement of the late 1800s.
Bride of Frankenstein, 1935

Bride of Frankenstein

Drawn from the margins of Mary Shelley's 1818 novel, the cinematic Bride of Frankenstein is never just one thing, and she never goes away.
Loie Fuller

The Serpentine Career of Loïe Fuller

Rising from the ranks of touring comedies and Wild West shows, the American dancer dreamed of a future of light, movement, and metamorphosis.
Buffalo Bill's wild West and congress of rough riders of the world

The Triumphalism of American Wild West Shows

From the 1880s to the 1930s, hundreds of Wild West shows encouraged white audiences to view Native American culture as a rapidly vanishing curiosity.
An illustration from Winsor McCay's comic strip consisting of 5 panels, featuring a large moon and a little boy.

The Cutting-Edge Cartoons of Winsor McCay

A prolific, meticulous artist, McCay created characters and storyscapes that inspired generations of cartoonists and animators.
Photograph: Twins Michael and Mary Kerby fail to convey any enthusiasm upon winning a trophy in a Baby Show at Ruislip, Middlesex, May 1934

Darling or Degrading? Baby Shows in the Nineteenth Century

A stunningly popular form of entertainment, baby pageants promoted the cult of domesticity, showcased maternal pride, and opened a path to fame and wealth.
Annie Edson Taylor, 1902

American Daredevils

The nineteenth-century commitment to thrilling an audience embodied an emerging synergy of public performance, collective experience, and individual agency.