Send in the Clowns

Lulu Adams came from a long, illustrious line of circus performers and was credited—even if wrongly—with being the world’s first female clown.
Minerva Parker Nichols beside the New Century Club building she designed in Philadelphia

(Re)discovering Minerva Parker Nichols, Architect

The first American woman to establish an independent architectural practice, Minerva Parker Nichols built an unprecedented career in Philadelphia.
Cher

Cher’s Vocoder Is the Sound of Both Y2K and Camp

Released on the global stage by Cher, the vocoder effect speaks for the millennium and for queer subculture.
William Merritt Chase with Parsons School of Design students

William Merritt Chase, the Accidental Ally

Painter William Merritt Chase opened an art school for a new generation of women, teaching them how to draw as well as how to advocate for themselves.
The cover of the play Abbu San in Old Japan

Blackface on Stage in “Old Japan”

The use of blackface may seem out of place in a Japanese-inspired stage production—until you think about the money to be made by dealing in stereotypes.
Detail of The Story of the Florentine Antonio Rinaldeschi, dated 1501/2

Tavolette: Paintings to Comfort the Condemned

Charged with saving the immortal souls of the condemned, comforters held tavolette showing the Crucifixion in front of the eyes of those facing execution.
Plate Number 191. Dancing (fancy) by Eadweard Muybridge, 1887

The Intersection of Dance and Science

Lynn Matluck Brooks dives into the ever-evolving relationship between movement and technology.
Source: https://commons.wikimedia.org/wiki/File:Racknitz_-_The_Turk_1.jpg

Before Deep Blue: the Automaton Chess Player

You may have heard of IBM’s chess-playing computer, but Johann Nepomuk Maelzel’s Automaton Chess Player beat Deep Blue to the (mechanical) punch. Check mate.
American actors and singers Liza Minnelli and Joel Grey perform on stage as nightclub performers in Germany during the Weimar Republic in the film version of the Broadway musical 'Cabaret' directed by Bob Fosse, 1972.

Cabaret Condemns and Shows Fascism’s Sinister Allure

Cabaret’s depiction of a Weimar-era nightclub reveals how easy it is to slip between satire of, indifference to, and complicity with Nazi aesthetics.
A portrait of Lin Yutang beside the cover of his novel, Chinatown Family

The Chinatown Novel That Wasn’t

Examining Lin Yutang’s 1948 novel Chinatown Family, Richard Jean So reveals the ways in which literature is shaped by editorial interventions.