María Telón and María Mercedes Coroy in Ixcanul

The Development of Central American Film

A new collection of essays examines the reasons behind the recent boom in feature and documentary film-making from Belize to Panama.
Maud Lewis

Remembering Maud Lewis

A symbol of resilience and resourcefulness, Lewis remains one of Canada’s best-loved and most-celebrated folk artists.
From the cover of The Yardbird Reader, Vol. 5

Exploring the Yardbird Reader

Initiated under the editorial directorship of Ishmael Reed, Yardbird made room in publishing for marginalized artists from many walks of life.
The Penguin logo on the cover of a paperback in 1944

But Why a Penguin?

Penguin Books built on an already strong tradition of branding through cute mascot “media stars” when they introduced their cartoon bird in 1935.
Actors on stage during a performance of A Midsummer Night 's Dream

Shakespeare and Fanfiction

Despite an enduring slice of audience that treats his work as precious and mythic, most Shakespeare fans have rarely met an adaptive concept they didn’t like.
A collage of cover images from Johns Hopkins’ Collection of Middle East-inspired Sheet Music

Sheet Music: the Original Problematic Pop?

A Johns Hopkins University curator of sheet music and pop culture discusses a “Middle East-inspired” sheet-music collection that’s anything but.
A drawing of a microphone

Performing Memory in Refugee Rap

Hip-hop and other performative arts offer Southeast Asian American immigrants a way to construct richer narratives about the refugee experience.
Garrett Hongo

I Hear America Singing

Japanese American poet Garrett Hongo is a guiding spirit to a glorious cacophony, an exuberant collective thrum made of different tongues and peoples.
The Goddess Nekhbet, Temple of Hatshepsut

Vulture Cultures

By turns worshipped and reviled, the bird frequently associated with death has appeared in art works for thousands of years. Here’s a short history.
Impression, Sunrise by Claude Monet

The Art of Impressionism: A Reading List

The first exhibition of paintings that would come to be described as Impressionism opened in Paris on April 15, 1874.