Ronald Johnson’s Valley of the Many-Colored Grasses, newly re-issued, offers entry into the work of a pioneering master collagist.

Across thousands of images, Portland State University's yearbooks captured both society's upheaval and the city's cultural metamorphosis.

Guy de Maupassant’s spooky story "The Horla" captured French anxieties about race, foreigners, and contagious diseases.

Many aspects of Freddy Krueger's backstory and actions in A Nightmare on Elm Street echo portrayals of the folkloric bogeyman who targets children.

The multifaceted nature of creativity subverts the assumption it’s a human endeavor exclusively—meaning we might need to radically re-think the definition of “art.”

Though technological innovation has always influenced considerations of art—think of Duchamp’s controversial urinal—the constant throughout is human touch.

Drawn from the margins of Mary Shelley's 1818 novel, the cinematic Bride of Frankenstein is never just one thing, and she never goes away.

How does generative artificial intelligence upend conventional understandings of who is and what makes for a true artist?

Filling more movie roles with Asian American actors may be the wrong goal if such visibility promotes stereotypes or buys into Hollywood's fantasies of power.

On the 85th anniversary of the first xerographic print, a collection of punk flyers from Cornell University provides an object lesson on (anti-)art in the age of mechanical reproduction.