Anida Yoeu Ali, Water Birth, The Red Chador: Genesis I, 2019, Kaiona Beach, Oahu, Hawaii, archival inkjet print. Photo by Masahiro Sugano. Courtesy of the artist.

The Red Chador’s Provocative Public Performance

Anida Yoeu Ali’s Red Chador challenges stereotypes of Muslim identity through performance art in highly visible public settings.
Adah Menken

Gender Play in Nineteenth-Century Theater

In the 1800s, women playing tragic leads captivated crowds while critics struggled to reconcile talent with gender norms.
John Steinbeck, 1935.

Returning to Steinbeck’s Sea of Cortez

A literary classic doubles as data, helping scientists trace decades of ecological change in the Gulf of California.
Harpo Marx, ca. 1935

Why Lacan Loved Harpo Marx

A surprising encounter between high theory and Hollywood farce reshapes how we think about laughter and desire.
Experimental color reconstructions of the marble statue of a Greek Muse in the Frankfurt Liebieghaus

The Trouble with Authentic Ancient Statues

Scientific analysis has restored the colors of ancient Greek statues. Why does seeing them restored still feel so wrong?
Edgar Allan Poe by Félix Vallotton

Edgar Allan Poe’s Mechanical Imagination

Behind The Raven’s melancholy lies a theory of composition shaped by magazines, machines, and modernity.
Yarn bombed bicycle on the third street promenade in Santa Monica, presumably by artist OLEK

Knit One, Bomb Two: A Primer on Yarn Bombing

Soft fiber meets hard infrastructure in a global movement that tests the bounds of public art.
Dana Elle Murphy

Dana Elle Murphy on Black Feminist Criticism

An interview with Dana Elle Murphy, whose work explores how drafts, fragments, and literary lineages expand our understanding of Black women’s writing.
The Sylvester T. Everett Residence, architect Charles Frederick Schweinfurth’s first Cleveland commission. The residence was built 1883-1887 and demolished in 1938. It was located at corner of Euclid and East 40th Street.

How America’s Industrial Elite Built Their Own Palaces

Historic photographs capture Cleveland’s Millionaires’ Row, where Gilded Age wealth met revival-style splendor.
Bjorn Andresen plays Tadzio in a scene from the film 'Death In Venice', 1971.

In the Film Death in Venice, Music Is the Narrator

A haunting score shapes the rise and fall of a writer consumed by infatuation.